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Black Hole Sun (single​/​video)

by Jean Koning

/
1.
In my eyes, indisposed In disguises no one knows Hides the face, lies the snake The sun in my disgrace Boiling heat, summer stench 'Neath the black the sky looks dead Call my name through the cream And I'll hear you scream again Black hole sun Won't you come And wash away the rain Black hole sun Won't you come Won't you come Won't you come In my shoes, walking sleep And my youth I pray to keep Heaven sent hell away No one sings like you anymore Black hole sun Won't you come And wash away the rain Black hole sun Won't you come Won't you come Black hole sun Won't you come And wash away the rain Black hole sun Won't you come Won't you come Black hole sun Won't you come And wash away the rain Black hole sun Won't you come Won't you come Won't you Hang my head, drown my fear Till you all just disappear Black hole sun Won't you come And wash away the rain Black hole sun Won't you come Won't you come Black hole sun Won't you come And wash away the rain Black hole sun Won't you come Won't you come Black hole sun Won't you come And wash away the rain Black hole sun Won't you come Won't you come © Sony/ATV Music Publishing LLC, BMG Rights Management US, LLC
2.
If I could hold on to just one thought long enough to know Why my mind is moving fast when the conversation is slow. Burn out all the fog And let the sunlight hit the snow And let me see your face again before I have to go. I have seen you in the movies and in magazines at night Saw you on the barstool where you held your glass real tight. I saw you in my nightmares and I see you in my dreams I could live a thousand years before I know what that means. Well, once there was a friend of mine who died a thousand deaths His life was filled with parasites and countless idle threats. He trusted in a woman on her he placed all of his bets Once there was a friend of mine who died a thousand deaths © Silver Fiddle Music
3.
Libraries gave us power Then work came and made us free What price now for a shallow piece of dignity I wish I had a bottle Right here in my dirty face to wear the scars To show from where I came We don't talk about love we only want to get drunk But we are not allowed to spend As we are told that this is the end A design A design A design for life I wish I had a bottle Right here in my pretty face to wear those scars To show from where I came We don't talk about love we only want to get drunk And we are not allowed to spend As we are told that this is the end A design A design A design for life © Sony/ATV Music Publishing LLC
4.
Genie 03:50
He is affection and the present since he opened the house to foaming winter and the hum of summer, he who purified drink and food, he who is the charm of fleeting places and the superhuman deliciousness of staying still. He is affection and the future, strength and love that we, standing amid rage and troubles, see passing in the storm-rent sky and on banners of ecstasy. He is love, perfect and reinvented measurement, wonderful and unforeseen reason, and eternity: machine beloved for its fatal qualities. We have all experienced the terror of his yielding and of our own: O enjoyment of our health, surge of our faculties, egoistic affection and passion for him, he who loves us for his infinite life And we remember him and he travels. . . And if the Adoration goes away, resounds, its promise resounds: “Away with those superstitions, those old bodies, those couples and those ages. It’s this age that has sunk!” He won’t go away, nor descend from a heaven again, he won’t accomplish the redemption of women’s anger and the gaiety of men and of all that sin: for it is now accomplished, with him being, and being loved. O his breaths, his heads, his racing; the terrible swiftness of the perfection of forms and action. O fecundity of the spirit and immensity of the universe! His body! The dreamed-of release, the shattering of grace crossed with new violence! The sight, the sight of him! all the ancient kneeling and suffering lifted in his wake. His day! the abolition of all resonant and surging suffering in more intense music. His footstep! migrations more vast than ancient invasions. O him and us! pride more benevolent than wasted charities. O world! and the clear song of new misfortunes! He has known us all and loved us all. Let us, on this winter night, from cape to cape, from the tumultuous pole to the castle, from the crowd to the beach, from glance to glance, our strengths and feelings numb, learn to hail him and see him, and send him back, and under the tides and at the summit of snowy deserts, follow his seeing, his breathing, his body, his day. © John Ashbery Il est l'affection et le présent, puisqu'il a fait la maison ouverte à l'hiver écumeux et à la rumeur de l'été, - lui qui a purifié les boissons et les aliments - lui qui est le charme des lieux fuyants et le délice surhumain des stations. Il est l'affection et l'avenir, la force et l'amour que nous, debout dans les rages et les ennuis, nous voyons passer dans le ciel de tempête et les drapeaux d'extase. Il est l'amour, mesure parfaite et réinventée, raison merveilleuse et imprévue, et l'éternité : machine aimée des qualités fatales. Nous avons tous eu l'épouvante de sa concession et de la nôtre : ô jouissance de notre santé, élan de nos facultés, affection égoïste et passion pour lui, lui qui nous aime pour sa vie infinie... Et nous nous le rappelons, et il voyage... Et si l'Adoration s'en va, sonne, sa promesse sonne : "Arrière ces superstitions, ces anciens corps, ces ménages et ces âges. C'est cette époque-ci qui a sombré !" Il ne s'en ira pas, il ne redescendra pas d'un ciel, il n'accomplira pas la rédemption des colères de femmes et des gaîtés des hommes et de tout ce péché : car c'est fait, lui étant, et étant aimé. O ses souffles, ses têtes, ses courses ; la terrible célérité de la perfection des formes et de l'action. O fécondité de l'esprit et immensité de l'univers. Son corps ! Le dégagement rêvé, le brisement de la grâce croisée de violence nouvelle ! Sa vue, sa vue ! tous les agenouillages anciens et les peines relevés à sa suite. Son jour ! l'abolition de toutes souffrances sonores et mouvantes dans la musique plus intense. Son pas ! les migrations plus énormes que les anciennes invasions. O lui et nous ! l'orgueil plus bienveillant que les charités perdues. O monde ! et le chant clair des malheurs nouveaux ! Il nous a connus tous et nous a tous aimés. Sachons, cette nuit d'hiver, de cap en cap, du pôle tumultueux au château, de la foule à la plage, de regards en regards, forces et sentiments las, le héler et le voir, et le renvoyer, et sous les marées et au haut des déserts de neige, suivre ses vues, ses souffles, son corps, son jour. © The Rimbaud Estate
5.
Strange dear, but true dear When I am close to you, dear The stars fill the sky So in love with you am I Even without you My arms fold about you You know darling why So in love with you am I In love with the night mysterious The night you first were there In love with my joy delirious, And the thought that you might care So taunt me, and hurt me Deceive me, desert me I'm yours, till I die So in love with you am I In love with the night mysterious The night you first were there In love with my joy delirious, And the thought that you just might care So taunt me, and hurt me Deceive me, desert me I'm yours, till I die So in love with you am I © Warner/Chappell Music

about

**download the E.P. to get two bonus-songs and a video**


From the album LINGO: LIFE, LEGEND, LOST


Covers albums are usually a chance for a singer to let their hair down a little, a creative break while they wait for new ideas to come along.

Trust Jean Koning to do it differently. The concept behind LINGO: LIFE LEGEND LOST is that all the songs were written by musicians who we've lost between January 2016 and December 2017, all the songs were written during some political or social turmoil, all songs are considered classics, however have very little connection with the current teenagers, wandering aimlessly the planet, facing doubt, racism, and a false sense of connection. All these songs are now reinterpreted by one of the most original musicians around.

"I took the lyrics of these songs and tried to interpreted them as very now. What would the song sound like if it were written today? They're basically very simple songs, and yet, very dark ones too. They contain more resistance, anger, empathy and comfort than any of the songs written and released today. This is my reaction to the soulless, detached internet age, which pushes everybody into a one size fits all life. This is me struggling against anonymity and the invisibility of today's everyday life.

In real life, people are never presented with a one size fits all audience or lifestyle. This only happens online. But online is a place where we spend a little too much time. So, it's time to resist. Or at least a mild form of resistance. I don't want to be reduced to being merely a friend or a follower. I don't want to be encouraged to share only that one thing that is the most interesting in other people's eyes. And with eyes, I obviously mean their telephone screens."

credits

released August 31, 2018

Produced by Jean (except where indicated)
Photography by S.T. Vacirca

Mastered by Bob at MDB Mastering Studios

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Jean Koning Amsterdam, Netherlands

Jean Koning has been a compelling force in the underground music scene since his unlikely folk&jazz debut transferring the band The Children of a Lesser God into the avant-punk extravaganza !JP in 1988. His star-studded career includes albums such as Notes from Purgatory, Man Enough to be a Woman and Wake Up In L.A.
Throughout his career, Mr. Koning has been honored with numerous awards.
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