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Mineo

by Jean Koning

/
1.
New Adam 04:30
Darling I used the infrared And what a light it shed Painting of the skin Darling Every hair you have The gesture of your legs Painted on the skin Greeted with shock, unbounded An ocean of flesh, surrounded Made it my task to show it Little do you know to throw it Into obscurity My little divinity The posture was correct And corrected I stand Darling (My Darling) Throwing on the linen (My Darling) Once we were beginning (My Darling) Paintings on the skin Darling (My Darling) Attention did it bring (My Darling) To the Ancestral Sin (My Darling) This painting of your skin Greeted with shock, unbounded An ocean of flesh, surrounded Made it my task to show it Little do you know to throw it Into obscurity My little divinity Who did I protect? With my six inches to your softer side You said: I’ll take you to the other side I said: I’ll take you, tease you, taste you, take you further Yeah, further, yeah, further, yeah Greeted with shock, unbounded An ocean of flesh, surrounded Made it my task to show it Little do you know to throw it Into obscurity My little divinity The posture was correct And corrected I stand Yes, corrected I stand
2.
Lost Angeles 05:41
Traffic jam for six hours straight Where egos eventually deflate And when I put my hand in your hand I realise they don’t understand In Lost Angeles Lost Angeles Lost Angeles Lost Angeles Networking wasted all my policies Running from and to opportunities Earn a dollar for some tasteless piss Is there a way to get out of this Lost Angeles Lost Angeles Lost Angeles Lost Angeles Are they really hanging out with me? Are they really hanging out with me? Are they really hanging out with me? Are they really? Yeah, yeah, yeah We’re here to celebrate plastic To hail everything, so fantastic It pisses me off, if you ever had a doubt I’ll find a proper way to get the fuck out Of Lost Angeles Lost Angeles Lost Angeles Lost Angeles
3.
February 12 04:22
To tell you the truth This is the night I die It's the furthest from my mind But the only thing I could find Lying on your back seat and everything you touch is insides It's the furthest from the truth But I want to have you inside And once you take me in You take me in When you take me in You take me in To tell you the truth I love you somehow It's a funny little gag But no-one will ever find Lying on your back seat end everything I touch is divine Let me tell you the truth I love to have you inside And once you take me in You take me in When you take me in You take me in My skin never felt so soft under February skies You surely showed me what lies hidden inside Lying on your back seat and everything we do blows my mind They may never know the truth But I left this place risen high And then you took me in You took me in You just took me in You took me in And once you take me in You take me in When you take me in You take me in
4.
If only I could replace This ending with some shape of grace I can feel your pain Got a tattoo for your name I have to skip to the other scene Where you first walked into frame I got the bullets Jimmy said From the place where you were hiding with your friends I got the bullets Jimmy said And no-one at the scene was listening Now the words float toward the end If only I could replace Tears running down Judy’s face Since I feel all their pain I got a tattoo for your name I have to skip to the other scene Where you first walked into frame I got the bullets Jimmy said From the place where you were hiding with your friends I got the bullets Sweet Jimmy said And no-one at the scene was listening Now the words float toward the end And He shouted, shouted, shouted And there’s was no-one there, that night Who could understand your pain Who could easily explain Who could replace a certain blame I got a tattoo with your name I have to skip to the other scene Where you first walked into frame I got the bullets Jimmy said From the place where you were hiding with your friends I got the bullets Sweet Jimmy said And no-one at the scene was listening Now the words float toward the end End
5.
It's in your breath This blossoming nectar Mad men on a path of gold Intended just to scar Twisting bones until they snap Twisting till I bend I scream but no one can hear Familiar to your ear See how we plowed For saddening eyes Filled with tears to pave our way My hair returned to grey Twisting bones until they snap Twisting till I bend I scream but no one can hear Familiar to your ear Show me your face Study its comfort now Can we recall the harmony That lingered then turned sour Familiar to your ears? Familiar to your ears
6.
As it cuts so very deep In a tin-box flight our boy comes home again Cannot hold him tenderly And when they say: "he was beautiful" They never see Our Little Boy As strange as it may seem A single file for the wounds that keep on burning I want him haunting me And when they say: "he was beautiful" They never see Our Little Boy As it cuts so very deep Our little boy colder than ever before They tell me in between Our little boy Our little boy Our little boy no more
7.
Hey there I'm calling from the station I matched a complication On common ground Hey there The reason that I'm calling I do believe we're falling On common ground Hey there I still see you quiver On the bottom of the river On common ground Hey there A fault in my insurance In need of some assistance On common ground Hey there Six foot and arising Now retread in hiding On common ground Hey there After the latest visit We were each other's witness On common ground On common ground Hey there Did you ever escape her? That tender Venus in fur? On common ground Hey there No further hesitations This freak of human nature On common ground Hey there She came on as a manic Breath slightly vitriolic On common ground Hey there Took the morning papers You just left for breakfast On common ground Hey there Left alone to beat it The way that you would treat it On common ground On common ground
8.
Breathe It 04:04
When they say it's just a silly phase They never had a taste of it Double-crossed fully exploit If I breathe it in, will they breathe it in You like to have it black and white Then try to read between the lines I never monochromed my life I just breathe it in, let me breathe it in Tell you: time to make a choice All they do is Sophie you They make you mute so they can voice But still I breathe it in, let me breathe it in Not put but push you into a box Mortification fits like a glove Orientation forced through detox Because you breathe it in, yes, you breathe it in Don't ask for a general escape That's freebee to their communal rape You take a social leap of faith Once you breathe it in, and still I breathe it in No matter who, they're always touching you But, dude, you just haven't a clue You're such a total waste of air I never breathe you in when I breathe it in Still they say it's just a silly phase While they never had a taste of it Double-crossed fully exploit But still I breathe it in, let me breathe it in

about

Echoes of a hypothetical love-affair, which transcends over generations, to ultimately result in a re-ignition of the fulfilment of one's own potential…

MINEO is the seventh studio album by sinner-songwriter Jean Koning.
It philosophically deals with the topics of death, spirituality and social conflict, and makes brief references to ancient Gnostic mysticism from the Apocryphon of John and Greek mythologies, all through the hypothetical eyes of actor Sal Mineo.

Sonically, it incorporates a multiplicity of electronica such as synthesizers, drum-machines, and samplers as well as vintage Fender Rhodes, African drums, and the Farfisa organ.

MINEO inhabits a strange realm somewhere between pop-bliss and noisy chaos. The album, his first studio effort since 2018's LINGO: LIFE LEGEND LOST, definitely covers all bases of a synth-pop record: a driving rhythm section, a strong yet emotional lead vocal, and—of course—a heavy reliance on synth textures for the bulk of the instruments.
What sets MINEO apart, however is a combination of two things: Koning's seamless integration of IDM sounds and techniques into well-rounded pop-tunes, and Koning's eccentric voice, often landing somewhere between a croon and a screech. While songs like "On Common Ground" may sound like a '70s pastiche upon first listen, Koning (and company) changes things up just enough to craft a whole new brand of synth-pop for a new generation.
This is infectious electronic music with almost bleak, dystopia-tinged lyricism to convey a sense that, if we stop to really look at ourselves, we're not going to like what we see...




Brought to you in the official Vinyl master.

Bonus:
Official Mineo Booklet
Bonus track "Clotho Lachesis Atropos"

credits

released August 21, 2020

For Ralph George... Thank you, and your DNA, to take me down this road...

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Jean Koning Amsterdam, Netherlands

Jean Koning has been a compelling force in the underground music scene since his unlikely folk&jazz debut transferring the band The Children of a Lesser God into the avant-punk extravaganza !JP in 1988. His star-studded career includes albums such as Notes from Purgatory, Man Enough to be a Woman and Wake Up In L.A.
Throughout his career, Mr. Koning has been honored with numerous awards.
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